The ruins at Great Zimbabwe are the most
extensive in sub-Saharan Africa, and arguably the most emotive. The name
'Zimbabwe' probably comes from the Shona phrase Ziimba dza Mabwe1, meaning
'Houses of Stone'. 30km south-west of Masvingo2 in Zimbabwe3, the ruins sit on a
1000m plateau, at the base of some low granite hills on otherwise open plains,
with few trees. For generations, these cyclopean stone walls were considered one
of the great unsolved mysteries of the world; who could have built these ruins
when no surrounding people was capable of more than mud huts? Why could such a
people not have dominated the local Shona tribespeople and built more such
cities? Where had their advanced civilisation gone by the time Europeans reached
the area in the 1800s? Nowadays, we have satisfactory - and often surprisingly
obvious - answers to all these questions, though there are mysteries yet on the
plains.
The Ruins: There are three main
sections, the Hill Complex (also known as the Acropolis or Hill Town), the
Valley Ruins and the Walled Town (or Great Enclosure). The Valley Ruins are now
almost invisible, as they are the remains of mud-brick (daga) buildings between
the other two sections. A purpose-built version of a local village is thankfully
well concealed from view at the rear, offering fortune-telling and tribal
dancing during the high season. It does, however, give an impression of what the
Valley ruins must once have looked like, with conical thatched roofs slope
almost to the ground. The Hill Complex is largely built into the rocky hillside,
with walls and floors carved into the rock in some places and built on top of it
in others. Guides will enthusiastically point out to visitors areas where the
acoustics would allow public speeches to be made, and caves that act as
loudspeakers to allow voices to be projected over the surrounding countryside.
However exciting these stories may be to tourists, it should be remembered that
they owe more to the imaginations of the guides than to local tradition or
archaeology...
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The ruins at Great Zimbabwe are the most
extensive in sub-Saharan Africa, and arguably the most emotive. The name
'Zimbabwe' probably comes from the Shona phrase Ziimba dza Mabwe1, meaning
'Houses of Stone'. 30km south-west of Masvingo2 in Zimbabwe3, the ruins sit on a
1000m plateau, at the base of some low granite hills on otherwise open plains,
with few trees. For generations, these cyclopean stone walls were considered one
of the great unsolved mysteries of the world; who could have built these ruins
when no surrounding people was capable of more than mud huts? Why could such a
people not have dominated the local Shona tribespeople and built more such
cities? Where had their advanced civilisation gone by the time Europeans reached
the area in the 1800s? Nowadays, we have satisfactory - and often surprisingly
obvious - answers to all these questions, though there are mysteries yet on the
plains.
The Ruins: There are three main
sections, the Hill Complex (also known as the Acropolis or Hill Town), the
Valley Ruins and the Walled Town (or Great Enclosure). The Valley Ruins are now
almost invisible, as they are the remains of mud-brick (daga) buildings between
the other two sections. A purpose-built version of a local village is thankfully
well concealed from view at the rear, offering fortune-telling and tribal
dancing during the high season. It does, however, give an impression of what the
Valley ruins must once have looked like, with conical thatched roofs slope
almost to the ground. The Hill Complex is largely built into the rocky hillside,
with walls and floors carved into the rock in some places and built on top of it
in others. Guides will enthusiastically point out to visitors areas where the
acoustics would allow public speeches to be made, and caves that act as
loudspeakers to allow voices to be projected over the surrounding countryside.
However exciting these stories may be to tourists, it should be remembered that
they owe more to the imaginations of the guides than to local tradition or
archaeology...
The precise origin of the Dogon,
like those of many other ancient cultures, is undetermined. Their civilization
emerged, in much the same manner as ancient Sumer, both sharing tales of their
creation by gods who came from the sky in space ships, who allegedly will return
one day. The early histories are informed by oral traditions that differ
according to the Dogon clan being consulted and archaeological excavation much
more of which needs to be conducted. Because of these inexact and incomplete
sources, there are a number of different versions of the Dogon's origin myths as
well as differing accounts of how they got from their ancestral homelands to the
Bandiagara region. The people call themselves 'Dogon' or 'Dogom', but in the
older literature they are most often called 'Habe', a Fulbe word meaning
'stranger' or 'pagan'. Certain theories suggest the tribe to be of ancient
Egyptian descent - the Dogon next migrating to the region now called Libya, then
moving on to somewhere in the regions of Guinea or Mauritania.
Around 1490 AD, fleeing
invaders and/or drought, they migrated to the Bandiagara cliffs of central Mali.
Carbon-14 dating techniques used on excavated remains found in the cliffs
indicate that there were inhabitants in the region before the arrival of the
Dogon. They were the Toloy culture of the 3rd to 2nd centuries BC, and the
Tellem culture of the 11th to 15th centuries AD. The religious beliefs of the
Dogon are enormously complex and knowledge of them varies greatly within Dogon
society. Dogon religion is defined primarily through the worship of the
ancestors and the spirits whom they encountered as they slowly migrated from
their obscure ancestral homelands to the Bandiagara cliffs. They were called the
'Nommo' There are three principal cults among the Dogon; the Awa, Lebe and Binu.
The Awa is a cult of the dead, whose purpose is to reorder the spiritual forces
disturbed by the death of Nommo, a mythological ancestor of great importance to
the Dogon...
From an interview with Credo Mutwa : Zulu Shaman, World renown traditional healer, Zulu
Sangoma and High Sanusi
In many western countries, when an old person dies it is simply the death of
an old human being who has gone through life and whose days on earth now come to
an end. But in Africa, the death of an elder- an old man or an old woman,
becomes a supreme disaster because in the mind of that elder often carries
knowledge passed down from parent to child. Knowledge that is not only valuable
to Africa and her children, but to human kind as a whole. No matter where you go
in Africa, no matter how deep into the interior of the dark continent you tread,
you will find very ancient stories which are incredibly similar. You will find
African tribes and races who will tell you that they are descendants from gods
who came out of the skies thousands of years ago. Some however say that theses
gods came to them from the sea in magical boats made out of reeds or wood or
copper or even gold.
In some cases these gods and goddesses are described as
beautiful human beings whose skins were either bright blue or green or even
silver. But most of the time you will find it being said these great gods,
especially the ones that came out of the sky were non human, scaly creatures,
which lived most of the time in mud or in water. Creatures of an extremely
frightening and hideously ugly appearance. Some say that these creatures were
like crocodiles, with crocodile like teeth and jaws, but with very large round
heads. Some say that these creatures are very tall beings with snake like heads,
set on long thin necks, very long arms and very long legs. There are those that
tell us that these gods who came from the skies travelled through the lend in
magical boats made of bright metal, silver, copper or gold. Boats which had the
ability to sail over water or even to fly through the sky like birds. It is
further said that some of these sky gods carried their souls in little bags
which hung from their belts. These souls being in the form spheres of crystals
clear material. Spheres which could float about in the air, and which emitted a
dazzling light. A light which could illuminate an entire village at night...
The Dogan people of west of Africa
have a detailed knowledge of the universe that is astonishingly accurate. was it
as they claim, passed on by Ancient astronauts? Like many African tribes, the
Dogon people of the Republic of Mali have a shadowed past. They settled on the
Bandiagara Plateau, where they now live, some time between the 13th and 16th
centuries. For most of the year, their homeland - 300 miles (500 km) south of
Timbuktu - is a desolate, arid, rocky terrain of cliffs and gorges, dotted with
small villages built from mud and straw. Although most anthropologists would
class them as 'primitive', the two million people who make up the Dogon and
surrounding tribes would not agree with this epithet. Nor do they deserve it,
except in the sense that their way of life has changed little over the
centuries. Indifferent though they are to Western technology, their philosophy
and religion is both rich and complex. Outsiders who have lived with them, and
learned to accept the simplicity of their lives, speak of them as a happy,
fulfilled people whose attitude to the essential values of life dates back
millennia.
Visitors From Sirius:
The Dogon do, however, make one astounding
claim; that they were originally taught and 'civilised' by creatures from outer
space - specifically, from the star system Sirius, 8.7 light years away. And
they back up this claim with what seems to be extraordinarily detailed knowledge
of astronomy for such a 'primitive' and isolated tribe. Notably, they know that
Sirius, the brightest star in the sky, has a companion star, invisible to the
naked eye, which is small, dense, and extremely heavy. This is perfectly
accurate. But its existence was not even suspected by Western astronomers until
the middle of the 19th century; and it was not described in detail until the
1920s, nor photographed (so dim is this star, known as Sirius B) until 1970.
This curious astronomical fact forms the central tenet of Dogon mythology. It is
enshrined in their most secret rituals. portrayed in sand drawings, built into
their sacred architecture, and can be seen in carvings and patterns woven into
their blankets - designs almost certainly dating back hundreds, if not thousands
of years.
The four creation myths found on the internet, "An African Cosmogony," "An
African Story of the Creation of Man," "Egyptian Cosmogony and Theogony," and
the Yoruba creation myth found under "The Minneapolis Institute of Arts," have
similar elements and incorporate values and norms common across many African
Ethnic groups. One of the dominant values common to many ethnic groups is the
value of the family and group. All four myths directly illustrate the belief
that a person is described in terms of his or her family and lineage. "An
African Cosmogony" and the Yoruba creation myth specifically emphasize this
attention to lineage. The former, after creation is complete, refers to the
creator as the "First Ancestor" from which "came forth all the wonders that we
see and hold and use" (Leach). The latter symbolically describes the lineage
through a palm nut, sent down to earth by the creator, that eventually grows
into a tree with sixteen branches. The deity then created sixteen sons and
grandsons for each of the branches to go off and establish kingdoms ("Cirriculum").
These two myths, as well as the other two, reveal the importance of the
ancestors and has probably lead to the great amount of respect given to them.
Africas Mysteries - Paranormal Phenomenon Hot Spots
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