Omens still predict both
good and evil in Sinhalese society:
Bathing on Sundays is said to
spoil the bather’s appearance; bathing on Monday improves it; Tuesday -
brings on disease, and Wednesday riches; Thursday - creates quarrels and if
one bathes on Fridays his children will die; Saturday is deemed to be the
most suitable day for bathing and is said to bring happiness. To face east
or west while taking meals is supposed to bring good luck; money
transactions held on full moon days bring ill luck.
Sinhalese –
still a superstitious society :
Ours is still a superstitious society and the commonest kind of
superstitions prevailing among the Sinhalese are those which deal with
omens, which they regard as prognostications, of both good and evil.
Tuesdays, Fridays and Saturdays are classed as unlucky, but for journeys
Thursdays are the best unless they happen to be astrologically unfavourable.
The best omen for a person setting out on a journey is for him to meet
anyone carrying a pot of water, milk or white flowers first. But it is
unlucky to meet those with shaven heads or with their hair (konde ) loose,
as a sign of mourning, or those with great physical defects or a woman
carrying a pot or ‘chattie’. It is also considered unlucky for a person to
stumble against something or to be interrogated as to his destination at the
outset of the journey.
Tradition: Bathing on Sundays is said to spoil the bather’s appearance; bathing on
Monday improves it; Tuesday - brings on disease, and Wednesday riches;
Thursday - creates quarrels and if one bathes on Fridays his children will
die; Saturday is deemed to be the most suitable day for bathing and is said
to bring happiness. To face east or west while taking meals is supposed to
bring good luck; money transactions held on full moon days bring ill luck.
Sundays, Tuesdays and Thursdays are bad for visiting, and July is considered
to be an unlucky month for weddings just as May is in England. Talking of
weddings, there is a strange ancient custom followed still in "bringing home
the bride" - the bride is obliged to walk in front of her husband, always
keeping in his sight; the traditional reason given for this is that once a
bridegroom who had walked in front had had his bride carried off from behind
him before he was aware of it, and the newly made husband is not very eager
for history to repeat itself in his case at least...
Even today the elephant
has a prominent place in Buddhism unlike other animals. It is the only animal
possessed of grace to carry the sacred reliquary containing the 'Danta-dhatu'
(Tooth-relic) of the Buddha, in the annual Esala Perahera in Kandy. All Buddhist
temples follow the same procedure in choosing an elephant to carry the relics in
procession, as no major Buddhist procession is complete without at least a
single elephant, ornately caparisoned to walk majestically through the streets. ‘The torn boughs
trailing o'er the tusks aslant,
The saplings reeling on the path he trod;
Declare his might: our lord the elephant, Chief of the ways of God’.
(Rudyard Kipling 1865-1936)
The life and habitat of the elephant are
provocative of wonder and demand our reverence, since both its evolution and
influence upon mankind have always been found to be most fascinating,
bewitching, enchanting, charming and delightful. The interesting roles it has played in
myths, legends, religion, history, folklore and war, notwithstanding its recent
prominence in politics; its association with man and the services rendered to
him from remote antiquity; the symbolic splendour of its colossal body, let
alone flesh, to be balanced on bones; its place in circuses and menageries, in
wildlife sanctuaries and zoological gardens and, above all, its graceful and
majestic appearance have been well attested, expressed and documented in various
works of art and literature down the ages. The elephant belongs to the animal order
Proboscidea (possessed of a trunk) and to the sub-order of ungulates (hoofed
digitigrade mammals). The two species of elephants now extinct are the mammoth
(Elephas premiginius) and the mastodon (Elephas odontos). The two existing
species are the Asiatic elephant (Elephas maximus) and the African elephant (Elephas
africanus)...
Ganesh is the elephant-headed god, Ganesha (or Ganesh) is known (by various names in different parts of India and
Sri Lanka and on different occasions) as the Remover of Obstacles, the god of
domestic harmony and of success. He is the most beloved and revered of all the
Hindu gods, and is always invoked first in any Hindu ceremony or festival. He is
the son of Parvati (the wife of Shiva, the Destroyer, the most powerful of the
Hindu trinity of principal gods). There are many stories
about how Ganesha got his elephant head, and about his exploits and antics. He
was created as an ordinary boy, but was decapitated in battle. Shiva's
emissaries were sent into the forest and told to get the head of the first
animal they found and to fit that head onto the boy's neck. They found a little
elephant, and it worked!
Heroes of epics like the Mahabharata and
the Ramayana are immortalized and are still alive in the day-to-day existence of
the common people. The gods of Hinduism are at once super-human and human and
there is distinct feeling of warmth and familiarity towards them. Rama, the hero
of the Ramayana, represents qualities such as honor, courage and valor and is
held up as a model of manliness. His wife Sita is the prototypal Indian wife who
is carried off by Ravana, the king of Lanka, while Rama and Sita are on exile.
Sita's eventual rescue by Rama, his brother Lakshmana, and Rama's faithful
monkey-general Hanuman are all woven into this engrossing tale. Stories from
this epic have been passed down orally from one generation to the next.
Religious fairs, festivals and rituals have kept these legends alive, and there
is never an occasion that does not offer an opportunity to retell the old
stories. The stirring verses of the Mahabharata
tell the story of the dynastic struggle between the Pandavas and the Kauravas,
who were close cousins. Lord Krishna plays a very important role in this Great
Epic. He is a friend, philosopher and guide to Arjuna, one of the Pandavas, and
he helps Arjuna overcome his hesitation to kill his close relatives in the
battlefield...
Several Hindu gods predominate in the many
myths, legends, and styles of worship in Lanka. One of the main Hindu gods is
Vishnu, often represented as a divine king
accompanied by his beautiful wife, Lakshmi, the
bestower of wealth and good fortune. Besides presiding as a divine monarch,
Vishnu periodically descends to earth, assuming a physical form to help beings
attain salvation. Vishnu has ten main incarnations, two of which--Rama and
Krishna- -are particularly popular. Rama was a great hero, whose exploits in
rescuing his wife from the demon king of Lanka are recounted in the epic
Ramayana. Vishnu's most popular incarnation is Krishna, who combines in a
single divine figure the mythic episodes of a warrior prince and a rustic
cowherd god. As warrior, Krishna figures prominently in what is perhaps the
single most important Hindu text, the Bhagavad Gita, where he stresses the
importance of doing one's duty and devotion to god. As divine cowherd, Krishna
served as an inspiration for a vast body of religious poetry in Sanskrit and the
regional South Asian languages. From the eighth to the twelfth centuries, Tamil
devotees of Vishnu (alvars) composed poetry in praise of the god. These
Tamil poems, collected in anthologies, are still recited during worship and
festivals for Vishnu.
The second major Hindu deity, and by far
the most important god among the Tamils in Sri Lanka, is
Siva. He differs considerably from Vishnu. In many stories he reigns as a
king, but often he appears as a religious ascetic, smeared with ashes, sitting
on a tiger skin in the jungle, with a snake around his neck. He is the lord of
animals. Although he is an ascetic, he is also a sexual figure, married to the
beautiful Parvati (the daughter of the mountain),
and his image is often a single rock shaped like a phallus (lingam). He
is often a distant figure whose power is destructive, but paradoxically he is a
henpecked husband who has to deal with family squabbles involving his sons. His
devotees enjoy retelling his myths, but worshipers visualize him as a cosmic
creator who will save his creatures when they have abandoned themselves totally
to his love...
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