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Posted on Tuesday, August 01 - 2006

© 1999, Jimmy Joe. All Rights

The Valkyries had often inspired poets as women-warriors. Their name means, "Chooser of the Slain", and were often called battle-maidens, shield-maidens, swan-maidens, wish-maidens and mead-maidens. As these names suggest, they had various functions. Their main duty was to select the slain warriors, who had fallen in battle or other combat, such as quest or killing dragon, etc.

These slain warriors were known as the Einherjar (Einheriar), and were chosen to fight alongside with the Aesir gods at Ragnarok. The Einherjar waited for Ragnarok, in Odin's hall, called Valhalla. They were sometimes called "Swan-maiden", because they wore garments made of swan feathers that allowed them to fly, carrying off the slain warriors to the hall called Valhalla. Their other duties included serving mead or ales in drinking-horns or mugs to the Einherjar in Valhalla. Three Valkyries appeared in the Volsunga Saga. Sigrun ("victory-rune") married the hero Helgi, the son of Sigmund. The other two Valkyries were Brynhild ("bright battle") and Gudrun ("battle-rune"), and these two were associated with the hero Sigurd, another son of Sigmund. Gudrun had also been associated with Helgi in other sources, as the hero's first wife.Brynhild was the most famous of all the Valkyries. In the Volsunga Saga, Odin punished Brynhild, for assigning the wrong king to die in battle. Odin condemned her to marry a mortal. Brynhild vowed that she would only marry the bravest of warriors, so she slept in the Ring of Fire, until the bravest hero could ride through the flame. Sigurd had rode through the flame, twice. The second time, she was duped into marrying Gunnar, the brother of Gudrun, while her hero married Gudrun. In the end she caused Sigurd's death. Brynhild overcome with grief, died in Sigurd's funeral pyre. See Volsunga Saga for the whole tale about Brynhild. Brynhild goes by a different name in the one of the poems of Poetic Edda. In Sigrdrifumal ("Lay of Sigrdrifa"), Brynhild was known as Sigrdrifa ("victory-urger"), where she taught the hero runic magic...

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Posted on Friday, November 18 - 2005

Thor

A casual reading of the surviving sources paints a rather unflattering picture of Loki. He is presented as a thief, a liar, a father to monsters and murderer of the Sun god Balder. But he's also the source of many of the items most treasured by the Norse gods: Thor's hammer, Odin's horse, Sif's golden hair.All of these things were brought to Asgard through Loki's efforts. Upon closer consideration, a more nuanced picture of Loki emerges. By exploring Loki's role among the gods and among men, we can learn more about this not-so-merry prankster and the society that described him in so many stories.Although Loki made his home with the gods, he was achild of the Jotuns.

Snorri Sturlsson, the 12th century author of the Eddas, wrote... "Also numbered among the Æsir is he whom some call the mischief-monger of the Æsir, and the first father of falsehoods, and blemish of all gods and men: He is named Loki or Loptr, son of Fárbauti the giant; his mother was Laufey or Nál; his brothers are Byleistr and Helblindi." Interestingly, Helblindi ("One Who Blinds With Death") is one of the kennings or poetic titles awarded to Odin. In another poem -- the Lokasenna -- Loki said,     "Remember, Othin, in olden days     That we both our blood have mixed;     Then didst thou promise no ale topour,     Unless it were brought for us both." Other sources claim Odin was the child of the giants Bor and Besla. These sources name his brothers as Vili and Ve, or as Hønir and Lothur (variants include Lodur or Lodhur). The Völuspá saga describes how these three created man:     "Then from the host three came,     Great, merciful, from the God's home:     Ash and Elm on earth they found,     Faint, feeble, with no fate assigned them     Breath they had not, nor blood nor senses,     Nor language possessed, nor life-hue:     Odhinn gave them breath, Haenirsen......

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Posted on Friday, May 26 - 2006

NORSE MYTHOLOGY, pre-Christian religious beliefs of the Norse people. The Norse legends and myths about ancient heroes, gods, and the creation and destruction of the universe developed out of the original common mythology of the Germanic peoples and constitute the primary source of knowledge about ancient German mythology. Because Norse mythology was transmitted and altered by medieval Christian historians, the original pagan religious beliefs, attitudes, and practices cannot be determined with certainty. Clearly, however, Norse mythology developed slowly, and the relative importance of different gods and heroes varied at different times and places. Thus, the cult of Odin, chief of the gods, may have spread from western Germany to Scandinavia not long before the myths were recorded; minor gods including Ull, the fertility god Njord, and Heimdallmay represent older deities who lost strength and popularity as Odin became more important. Odin, a god of war, was also associated with learning, wisdom, poetry, and magic.

Most information about Norse mythology is preserved in the Old Norse literature, in the Eddas and later sagas; other material appears in commentaries by the Danish historian Saxo Grammaticus and the German writer Adam of Bremen (fl. about 1075). Fragments of legends are sometimes preserved in old inscriptions and in later folklore.Gods and Heroes. Besides Odin, the major deities of Norse mythology were his wife, Frigg, goddess of the home; Thor, god of thunder, who protected humans and the other gods from the giants and who was especially popular among the Norse peasantry; Frey, a god of prosperity; and Freya, sister of Frey, a fertility goddess. Other, lesser gods were Balder, Hermod, Tyr, Bragi, and Forseti; Idun, Nanna, and Sif were among the goddesses. The principle of evil among the gods was represented by the trickster Loki. Many of these deities do not seem to have had special functions; they merely appear as characters in legendary tales.

Many ancient mythological heroes, some of whom may have been derived from real persons, were believed to be descendants of the gods; among them were Sigurd the Dragon-slayer; Helgi Thrice-Born, Harald Wartooth, Hadding, Starkad, and the Valkyries. The Valkyries, a band of warrior-maidens that included Svava and Brunhild, served Odin as choosers of slain warriors, who were taken to reside in Valhalla. There the warriors would spend their days fighting and nights feasting until Ragnarok, the day of the final world battle, in which the old gods would perish and a new reign of peace and love would be instituted. Ordinary individuals were received after death by the goddess Hel in a cheerless underground world...

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Posted on Thursday, July 09 - 2009

By Shane Dayton

Virtually every western religion or mythos has an end of the world story, an episode in which all the evil of the world comes against all the good, and man and god alike often suffer and even die. Christianity, Islam, and Judaism all have an end of the world story, and a story of restoration afterwards. Greek mythology and Roman mythology both also contained end of the world stories. The world's end does not set Ragnarok, the Norse version of the world's final days, apart from other belief systems but the dark language of this event in this Norse legend, the same tone taken in many of the Norse myths, along with the way in which the world does end, are among several factors that do tend to make Norse mythology appear much more pessimistic than its counterparts.

Norse myths are known for the dark tone of voice, and the constant pointing towards Ragnarok and the destruction of the world. H.A. Guerber, in Myths of the Northern Lands, comments on the unique aspects of Norse mythology by saying: "The most distinctive traits of the Northern mythology are a peculiar grim humor which is found in the religion of no other race, and a dark thread of tragedy which runs through the whole" (5). In this paper I will study the theology of the Norse, and attempt to help shed light on what exactly gives their religion the darker and more pessimistic reputation it holds. One strategy to bring a stronger sense of understanding to Norse mythology is to understand the culture it comes from and compare it to a more familiar belief system. In the Book of Genesis, there is one God who simply speaks the world into existence. There is a void, and God's mere words fill it, and build it. Man is made from the sand, and woman is made from the rib of man, but with no negative consequences to that man. The Norse explanation of how the world came to be, by contrast, is filled with violence, blood shed, and the beginning of a war that will last through all of time until the final confrontation at Ragnarok...

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